- Now on View
NACT View 03: Atsushi Watanabe (I'm here project) I Hate Free Hugs
September 13 (Wed), 2023 - December 25 (Mon), 2023
The National Art Center, Tokyo launched the NACT View series, a project utilizing the Center’s public area in 2022. Notable for its spectacular impact, the space was designed down to the smallest detail by the architect Kurokawa Kisho. Emerging and mid-career artists, designers, architects, and filmmakers will be invited to present a variety of contemporary works in the space, which resembles a public plaza where many visitors pass through or linger and enjoy leisure time.
Atsushi Watanabe (b. 1978) deals with issues related to hikikomori (a condition he has experienced personally) and strives to create collaborations with those who are currently suffering from the condition, while engaging directly with society as an activist. In this, the third edition of the NACT View series, he presents an installation and video works related to the I Hate Free Hugs project he began in 2021.
Note: In 2018, Watanabe launched the I’m here project, in which he made collaborative works with people who were suffering from hikikomori or feelings of isolation. For this work, created with a group of people who responded to Watanabe’s public call for participants, he used the name “Atsushi Watanabe (I’m here project).”
September 13 (Wed), 2023 – December 25 (Mon), 2023
Closed on Tuesdays
- Opening Hours
Same as those of NACT
Various spaces within NACT
(The National Art Center, Tokyo 7-22-2 Roppongi, Minato-ku, Tokyo 106-8558)
- Organized by
The National Art Center, Tokyo
- Admission (tax included)
(+81) 47-316-2772 (Hello Dial)
Born in 1978 in Kanagawa Prefecture, where he currently lives. Completed a post-graduate course at Tokyo University of the Arts.
The Artist’s Latest Installation and Video Work Create a Complex Exhibition That Makes the Most of the Center’s Public Spaces
In this exhibition, Watanabe presents an installation and video work as part of the I Hate Free Hugs project he began in 2021. These pieces are being shown for the first time in NACT’s public spaces.
A Light Work Expressing the Existence of Those Who Are Not Here Will Also Be Shown Along with the New Pieces
Also on display will be a work made up of a spherical light, which can be operated by remote control by those who find it difficult to visit the museum, because they are currently dealing with hikikomori. This work creates an exhibition that remains unfinished in the display area while also transcending the physical constraints of the space.
I Hate Free Hugs
Backlight film, light boxes, wooden doors, wood, etc.
Watanabe was inspired to launch the I Hate Free Hugs project in 2021 due to problems such as isolation and loneliness that emerged with the return to physical intimacy that occurred following the convergence of the coronavirus pandemic. Free hugs had been popular in Shibuya and other areas since the late 2000s, when people began to stand on the street holding up signs that read, “Free Hugs,” and engaged in hugs with those who responded to the call. This symbolic act, in which complete strangers effortlessly hugged each other, gave Watanabe the idea to make contact with people suffering from hikikomori that he recruited on the internet. He then met them face-to-face, and gave them a hug to express a critical view of the tendency toward social inclusion in which we are only aware of those we can see in front of them. As a former hikikomori himself, who for a time lived without making eye contact with anyone else, Watanabe started this project based on his personal experience while also incorporating an action that was rooted in respect for others dealing with this condition. In this way, he conveyed a critical view of a society that focuses solely on what is visible and drew attention to the lives of those who exist somewhere beyond our imagination.
I Hate Free Hugs is an artwork that grew out of this ongoing project. It might best be described as an archive designed to record Watanabe’s activities with hikikomori. In this exhibition, Watanabe presents some anecdotes related to eight of his meetings with participants along with photographs of the artist hugging them enclosed in a light box, which are assembled behind a wooden door. Positioned in front of the special exhibition gallery on the Center’s first floor, these eight three-dimensional objects recall a monument. The structure, position, and appearance of the works are all connected to the question of how we imagine people who are in some faraway place.
The Lights for the Absentees
LED light, lamp shade, smart plug, Wi-Fi, smartphone, monitoring camera
Collection of the I’m here project
In a 2020 project called The Day We Saw the Same Moon, Watanabe asked people who were struggling with loneliness during the coronavirus pandemic to take pictures of the moon. Then assembled the photographs to create an artwork. This work, The Lights for the Absentees, was first shown as part of The Day We Saw the Same Moon, but for this exhibition, the artist has combined it with a new work, made of a spherical light, in response to post-corona social problems such as loneliness and isolation. The light switch in this version is controlled by a number of hikikomori who responded to Watanabe’s call for participants. The flashing lights are designed to make people who are able to visit the exhibition think of those who are unable to come.
Note: The people controlling the lights can watch what is happening with the spherical light by means of a monitor camera. The camera is installed in the glass-walled catwalk, but visitors’ faces are not visible.
FREE HUGS FOR ABSENTEES
Video projection, 60 min.
This long, uncut video, made with time-lapse photography, captures Watanabe standing in front of Shibuya Station for ten hours straight with a neon sign that reads, “FREE HUGS FOR ABSENTEES.” The video is projected at large scale on a 16-meter-tall, cone-shaped concrete structure, which exudes a strong presence in the first-floor atrium. This makes it look like an outdoor advertisement in an urban space as the artist calls to mind the existence of people who are absent from the space. Other video images are projected in the passageway that leads from Nogizaka Station to NACT.
I Hate Free Hugs (action on building rooftops)
Video projection, 60min.
A video work, projected around the stairway that connects Nogizaka Station to the Center, serves as an introduction to the exhibition. Shot over a continuous ten-hour period (the amount of time that the Center is normally open everyday), the video shows the artist holding a sign reading “I Hate Free Hugs” as he is blasted by a strong wind while standing on the roof of a building in Yokohama. The term “free hugs” refers to a campaign to foster friendship and peace by displaying a sign offering “free hugs” and hugging complete strangers who respond positively to the message. Watanabe, who struggled with a severe case of hikikomori for some three years, also displays a neon sign, intended in part as a criticism of the free-hug movement, which overlooks the city of Yokohama (where the artist lives) from the top of a building. Watanabe stresses that many acts of goodwill toward others (social inclusion, etc.) are either impossible or contradictory because they only apply to those who are visible to us or within the realm of our expectations. In this exhibition, Watanabe makes an appeal to unknown people who are all alone and invisible as well as those who are absent from this place.
InterviewInterveiw with Atsushi Watanabe（I'm here project).pdf
What Is NACT View?
NACT View is a new series of small projects made by young to mid-career creators working in a variety of genres, such as fine art, design, architecture, and film, that are presented in the Centerʼs public spaces. The name of the series is made up of the English acronym for the National Art Center, Tokyo, and the word “view,” whose meanings include “gaze,” “landscape,” “viewpoint,” and “way of thinking.” The Center’s public spaces are places that are accessed by a wide range of people, including not only visitors to the exhibitions, but also patrons of the facility’s café, restaurant, and library as well as those who are merely pass through the building. By displaying works in these spaces, NACT View strives to give all of the facility’s visitors an opportunity to become more familiar with contemporary expressions in a casual manner. Plans are also underway to hold related workshops and talk events.
A list of materials from the NACT's collection related to the exhibition is available on the OPAC. Please click here to see the list on Current Exhibition-related Materials Exhibit page.
These materials are also available in the Art Library on the 3rd floor. Please click here to see the Art Library's general information.